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SFXsource's Articles

  • How to Clean Up Sound Effects by Removing Low-end Noise
    Since commercial and corporate video production budgets can often be small and executed under a short time frame, the recorded sound may suffer. During post-production, as a result, producers may encounter some terrible audio problems. One common dilemma is a low-end noise or hum that permeates dialog and other ambiance recordings.
  • Cataloging Tips for Sound Effects
    Associating data with your finished sound effects products is the final step before submitting your material to sound distributors. This data, called metadata, offers interested buyers information on each sound in your library. Details about the seven main types of metadata to be used when cataloging your sound effects follow.
  • Advice on Editing Sound Effects for Sound Effect Libraries
    Editing your raw audio recordings into professional quality sound effects is the step that takes place after the initial recording period. Hunt down an audio editing software that has eqs, the ability to cut audio, normalization, and fade in/out capabilites. You may use either a freeware readily found online or purchase one of the many digital audio workstations (DAW) available on the web.
  • How to Record Sound Effects for a Sound Effect Library
    In order to record sound effects for a personal or professional sound effect library one first needs a quality recorder. Personally I've tried all sorts of pricey gear and microphones throughout my sonic adventures only to discover that a solid $150 to $400 handheld digital recorder no larger than an old-school cassette tape box suffices to create sounds good enough for placement in any Film, TV, and media project. In addition, these units run on battery power and the recorded files can be dragged onto your desktop via USB.

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