About Will Fowler and his art

Will Fowler’s plethoric patterned canvases are mesmerising in their intensity. Drawing association to 20th c masters such as Dubuffet, Pollock, and Miro, Fowler approaches painting as purist pursuit, recycling and quoting from his own lexicon of gesture, mark-making, and iconography. Often taking years to complete, Fowler’s paintings refuse to resolve as totalities, but rather dazzle with their cacophonous overabundance of energy and contradiction. In TBD, Fowler’s enmeshed motifs compile with vivacious tension, each dot, square, and triangle vying for individual recognition; the solidity of his geometry further unsettled with casual intuitiveness of painterly gesture.

In new, large canvases Fowler reinvigorates and expands upon concerns with scale, facture, decorative pile-ups, shattered repetition, and color’s primary, never-resolved threat to form. Fowler employs a vocabulary of jarring scale shifts and roughly hewn repeated forms: circles, spots, dots, blotches, knife-edge triangles, and layers of broken white grids that, in the words of the artist, “animate rather than negate the shapes underneath”.Elaborate “planning and un-planning” occupies Fowler’s approach - a practice that often leads to paintings that take him years to complete.

Fowler’s paintings grow out of elements culled from previous paintings. Recognizable images and geometric shapes are arranged like fragmented quotations, requesting attention and resisting subsumption into the painting process. Acutely aware of the relationships and “spatial tradeoffs” between his oppositional forms, Fowler combines images, concepts and even emotions that perhaps were never meant to be together.

Initially appearing frenetic and consuming, Fowler’s layered paintings insist upon perception as an investigative, not passive, process.

Fowler employs a vocabulary of jarring scale shifts and roughly hewn repeated forms: circles, spots, dots, blotches, knife-edge triangles, and layers of broken white grids that, in the words of the artist, “animate rather than negate the shapes underneath”.Elaborate “planning and un-planning” occupies Fowler’s approach - a practice that often leads to paintings that take him years to complete.

Fowler’s paintings grow out of elements culled from previous paintings. Recognizable images and geometric shapes are arranged like fragmented quotations, requesting attention and resisting subsumption into the painting process. Acutely aware of the relationships and “spatial tradeoffs” between his oppositional forms, Fowler combines images, concepts and even emotions that perhaps were never meant to be together. Initially appearing frenetic and consuming, Fowler’s layered paintings insist upon perception as an investigative, not passive, process.

Read Entire Article about Artist Will Fowler paintings and artwork at The Saatchi-Gallery http://www.saatchi-gallery.co.uk/artists/will_fowler.htm

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View Will Fowler paintings, biography, solo exhibitions, group exhibitions and resource of Will Fowler. View art online at The Saatchi Gallery - London contemporary art gallery. Will Fowler

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